The 7 Best Studio Headphones For Mixing And Recording - Fall 2024

The best studio headphones with a closed-back design are the Audio-Technica ATH-M50x. Closed-back headphones are well-suited for recording audio, as their design helps block out some background noise, so you can still monitor your audio without completely tuning out what's happening around you. They also leak less audio than open-backs, which is great for live sessions. However, they still bleed some audio at high volumes, so they may not be the best for extremely noise-sensitive recording situations.

While this will likely be fine if you're monitoring a recording session from a separate room, it may be an issue if you're recording yourself. These popular wired over-ears are well-known within the recording community. Despite their relatively low price point, they provide amazing value and feel surprisingly well-built and durable. They also come with three different cable options, including a coiled one that can stretch up to 10 feet so that you can move freely around your studio. They're comfortable, and their ear cups can swivel.

You can also find the popular Beyerdynamic DT 770 PRO at this price point; they're a viable alternative with minor differences. They're similarly comfortable but have a wider, more spacious passive soundstage. They also have a brighter sound profile, which can help highlight imperfections such as clicks in your audio. However, this sound can be fatiguing over time.

For something a little more wallet-friendly, try the Sony MDR-7506. These retro over-ears have been a studio mainstay thanks to their well-balanced sound and closed-back design, which helps lower the risk of your audio bleeding into a recording. Although they have a touch of extra thump, rumble, and boom to their sound, it doesn't overwhelm vocals and lead instruments, as the mid-range is very flat. They also deliver audio consistently across reseats and have a decent leakage performance, which is good if you're monitoring audio at a reasonable volume. Unfortunately, they struggle to block out ambient noise like background chatter.

Their coiled audio cable helps prevent tangles if you like to move around the studio. However, manufacturers tend to make cuts to build quality at this price point. Unlike the more expensive Audio-Technica ATH-M50x, the Sony headphones' audio cable isn't detachable, so if it gets damaged, you'll need to replace the entire unit, unless you're handy with a soldering iron and can perform repairs. Their build also feels cheap despite having metal and plastic parts, so they can make a creaking sound when you put them on your head. However, they offer a well-balanced sound suitable for recording. Because they were originally designed with repairs in mind, they have screws so you can remove and replace parts more easily than on most modern headphones, even if they don't feel premium.

If you're on a tight budget or need several pairs of headphones and want an affordable option, it's worth considering the Audio-Technica ATH-M20X. These headphones aren't as well-built as the Sony MDR-7506, but they offer good sound at a lower price. They look similar to the Audio-Technica ATH-M50x but have a more plasticky design with a thinner metal frame and exposed cables.

Their sound lacks a bit of low-bass for closed-back headphones, but they offer a flat, balanced mid-range response that reproduces voices and instruments clearly and accurately. However, their significant treble roll-off makes sibilants like cymbals and S and T sound dull and lispy. Still, they have consistent audio delivery, so you're more likely to hear the same sound across reseats, and they have a decently comfortable fit for long hours in the studio. If you're dealing with a tight budget or buying a few pairs of headphones in bulk for tracking in a studio, they're decent performers.

If you prefer open-backs, the Sennheiser HD 800 S are worth considering. Compared to closed-back headphones, which are better for recording, open-backs are a solid choice for mixing. Thanks to their design, audio leaves the ear cups and interacts with the environment around you, helping create a more immersive and natural soundstage. While the Sennheiser are the best open-back headphones, they come with a hefty price tag, meaning they won't be for everyone. You'll also need a powerful amp to drive them, so if you don't already have one, this can be an additional cost.

These premium open-back headphones have a balanced sound profile with an accurate mid-range response that ensures vocals and lead instruments sound clear and accurate. Their treble response is generally flat, with a touch of extra mid-treble that adds presence to vocals. Like most open-back headphones, they struggle to reproduce the thump and rumble of low-bass. Their audio cable is detachable, and they come with one extra in the box, along with a 1/4" to 1/8" adapter.

They also have a sturdy, high-end build and a very comfortable fit. Unfortunately, the pin that keeps the hinges together is prone to coming loose over time, which is annoying, and some may prefer a bit less plastic in the build at their price. The equally high-end HiFiMan Arya Stealth Magnet Version don't suffer from this problem and have more low-end thump, but their planar magnetic drivers make them bulkier and heavier. That said, they're still worth considering for mixing.

Are you looking for something more affordable? Take a look at the HiFiMan Edition XS. These use planar magnetic drivers to help them create an immersive, open, and natural-seeming soundstage well-suited for mixing and mastering. Still, their performance is similar to HiFiMan's pricier models if you want more affordable planar magnetics. They have a generally well-balanced sound profile that makes them well-suited for various genres. They lack some low-bass, like all open-back headphones, but a small boost in the high-bass ensures basslines still feel warm and enveloping. Voices and instruments sound clear, detailed, and bright.

Their build quality suffers due to their plastic-heavy construction and flimsy hinges. If you're looking for a pair of open-back cans that feel more durable and feature premium materials, it's worth looking at the Audeze MM-100. These headphones also feature planar magnetic drivers, creating an open and spacious soundstage. However, their sound profile isn't quite as balanced as the HiFiMan, as their treble range is recessed. This can be an advantage if you plan to use them for long mix sessions, as your ears won't become as fatigued over time.

The best lower mid-range open-back studio headphones we've tested are the Beyerdynamic DT 990 PRO. These headphones use dynamic drivers, which is more common for cheaper headphones. They don't create a passive soundstage that is as spacious or natural as the HiFiMan Edition XS, but on the plus side, they deliver more bass overall, so your music has more punch and warmth. Extra mid-treble means instruments and vocals sound bright but can also be slightly piercing, which might not suit people looking for the most accurate response.

They're heavier than the HiFiMan but have a comfortable fit for most people. They have great overall build quality, but the audio cable isn't detachable, so you must replace or repair the headphones if they get damaged. If you're also considering closed-back headphones, the Beyerdynamic DT 900 PRO X are similarly well-built and comfortable and have a detachable audio cable. Their sound is less boomy, but they have an underemphasized treble response, so instruments and vocals sound somewhat veiled.

The Philips SHP9500 are the best budget studio headphones we've tested. At this price point, there are few choices for open-back headphones. Many of them have a flimsy, plasticky build quality and don't feel very durable. However, the Philips feel decently well-built and are worth considering for their balanced sound profile and immersive soundstage. These cans will suit most genres, although EDM fans might miss the lack of low-bass. Their mid-range is well-balanced and renders vocals and instruments accurately and with detail. Unlike the Beyerdynamic DT 990 PRO, the Philips have a fairly flat treble range, so cymbals sound present but not piercing.

Like most open-backs, these comfortable headphones leak a lot of audio, so you'd use them for mixing rather than recording. However, they'll feel pleasant to wear for long sessions, so long as you're not in a noisy environment since their open design also means they do a bad job blocking out any audio around you.